December 7, 2010
Danny Echo - Rock Bottoms Up (2010)
April 18, 2009
Danny Echo - Danny Echo (2009)
Vancouver's Danny Echo play rock and roll that reminds me of the days when Brit pop ruled my roommates stereos -- when bands on both sides of the Atlantic were looking back to the Rolling Stones and Faces for inspiration. In the Bay Area it was Brian Jonestown Massacre and Mover. "Killing Me" expertly lifts a handful of who-who-who's from "Sympathy for the Devil". At times the lead singer's voice sounds a lot like Liam Gallagher's, especially on big dramatic ballads like "Tomorrow Today", which could be a (What's The Story) Morning Glory? B-side. All of which isn't to call them derivative. The songs are catchy, melodic, and generally a good time. In addition to the above songs, I like testy "I Can't Take It Anymore" and the twangy "Natural Disaster".
February 27, 2009
Soundtrack of our Lives - Communion (2009)
24 songs is a lot of songs, but hey, TSOOL make some of the most consistently enjoyable retro psych garage rock and 2002's Behind The Music was awesome. With that many songs, there was bound to be a couple clunkers, but overall, it's another solid album in a genre I seem never to get tired of listening to. It's full of power chords, chanted choruses and, well, rocking out - or at least those are the songs I like best. If you hate Oasis or Ocean Colour Scene, this probably isn't for you. What the hell is up with that album art?
October 23, 2008
Kaiser Chiefs - Off With Their Heads
Off With Their Heads? More like Off With Their Ears! If you’re looking to pad your collection with indistinguishable Brit rock, add Kaiser Chiefs. Their third release is perfect for fist-pumping frat boys in
“Spanish Metal” is their “badass” intro. The vocals excited me since they were reminiscent of Alice In Chains’ lead singer Layne Staley (may he rest). Alas, the thrill wore off since I ended up turning on Jar Of Flies instead. With a catchy chorus and watered down Gallagher (see: Oasis) vocals, “Never Miss A Beat” is actually one of the more tolerable tracks. But if blatant un-originality tires you, this song will put you to sleep faster than Nyquil. Unworthy of mention are the uninspired songs “Can’t Say What I Mean” and “Good Days Bad Days,” boasting lyrics that are equal parts cliché and utterly annoying. The punchy guitar that introduces “Like It Too Much” is nothing but a Spoon “I Turn My Camera On” baseline knock-off, but not in a good way. Plus, I’m not even a Spoon fan! And “You Want History,” with wailing guitars and big background vocals, is a mélange of sounds from forgettable 80’s bands not even worth the lackadaisical mention.
Overall, this album is far from groundbreaking and misses the very beat they claim to “Never Miss.”
