Showing posts with label Hardly Strictly. Show all posts
Showing posts with label Hardly Strictly. Show all posts

November 2, 2010

Top 5 Lucero Songs

I loved the hell out of Lucero's 2009 release, 1372 Overton Park, and recently was reminded at Hardly Strictly Bluegrass how amazing they can be live. I've always enjoy the gritty, imperfect vocals, occasionally roarin' southern rock guitars, and Ben Nichols' willingness to be both tender and rancorous in his lyrics, but it was the addition of increased production and horns that took them to the next stratosphere and made me appreciate their older tracks even more. With over 10 years on the road and 80 songs to choose from, it can be difficult to narrow the list down to a top 5... but here we go, a nice tight list of favorites...

  1. "Smoke" (1372 Overton Park)
  2. "Tears Don't Matter Much" (That Much Further West)
  3. "Nights Like These" (Tennessee)
  4. "I Can't Feel A Thing" (1372 Overton Park)
  5. "San Francisco"(Rebels, Rogues & Sworn Brothers)

"north to santa rosa and south to santa cruz / the humboldt house, the boardwalk, and the homemade tattoos"

October 5, 2010

FNBP: Spaten Oktoberfest & Hardly Strictly Bluegrass Festival

I know what you're thinking, because I'm thinking the same thing — It is not Friday and the events I'm about to pair have already passed. How inept can I get? Nevertheless, I move forward. 

Nearly everything I know about the history of bluegrass I learned from a Robert Earl Keen song. I think there was a time in college when I alienated myself from nearly everyone on my dorm room floor by listening to country and bluegrass, but honestly, I couldn’t have cared less. The DMXes of the world come and go, but there is an enduring factor to those old-timey sounds that trumps the need to conform musically with your peers. Although the particular beverage I enjoyed at the time of alienation was probably something on the lower end of the cost spectrum, for this Hardly Strictly pairing I'd like to bring out the gourmet (ironically, I sipped Modelo Especial for the bulk of the weekend). Meet Spaten Oktoberfest. 

Out of Munich, the origin of the fall festival, the Oktoberfest edition is subtly sweet and reminds me of a slightly cloudy Belgian. It is crisp and refreshing, but has a slightly strange aftertaste. The pairing goes well not only because of the timing, but also due to the strong associations I have with Oktoberfest, bluegrass and being outdoors. For live bluegrass I enjoyed the Bright Eyes front-man Conor Oberst, Bonnie Prince Billy and Robert Earl Keen Jr. on Saturday followed by Lucero, James McMurtry, Randy Newman, a fleeting moment of Elvis Costello, Yonder Mountain String Band and, finally, The Avett Brothers. I must admit, I was most impressed going in and coming out of the weekend with a longstanding QuickCrit favorite, Lucero. Absolutely worth the "early" start-time arrival.  In totality, certainly hardly, strictly bluegrass, but quite entertaining and especially so considering the event is free to all. 

Bluegrass, and derivatives thereof, to me is front-porch-music that seems to resonate with old souls and young ruffians alike. Oktoberfest was originally conceptualized around a horse race and agricultural show, so the event, and therefore the beer that bares the name, has rustic and outdoorsy undertones that parallel the stripped down appeal of bluegrass music. A great combo... any time of year.