Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

August 10, 2009

Phoenix @ Terminal 5 - NYC

A good music friend of mine and uber-fan of Phoenix bought us tickets to make up for some self-proclaimed dickness of late and I happily jumped at the chance to catch them in support of Wolfgang Amadeus Phoenix, one of the better indie releases of 2009 thus far. I especially looked forward to the inevitable argument that ensues over NYC venue Terminal 5 - (I detest it, so do most of my friends, yet he loves it?). Was it worth the risk of getting elbowed in the boobs by the indie-loving frat boys who seem to live there? Oui!

Since we're both perpetually running "10 minutes" late, much to my dismay we missed psych-rock openers Amazing Baby who I'm sure were awesome. On the way, my cabbie informed me that his previous customer was Courtney Love and I was sitting in her seat. Speechless, I tried not to let my fear of possibly contracting chlamydia spoil my evening. Of course he mentioned her generous $20 tip, which I said I'd happily match whenever I, too, marry a former member of Nirvana (Dave Grohl specifically, if he's reading this). Until then, my brokeass was only shelling out 15%. He laughed.

The show. I hate the impersonal nature of T5 and feared it would detract from the Phoenix-ness but their music definitely holds up even if you can't quite see the stage. They were straight-up the business of music and they sounded just as great live as they do on CD. Not better, not worse, just the same smooth, dulcet tones I've come to appreciate. There was a shortage of playful obnoxiousness, stage banter, comments about NYC crowds, or witty anecdotes about touring, but their fans didn't seem to mind. They played most of W.A.P., a bunch of old favorites, and closed with a killer encore that fully satiated the crowd. My friend claimed it was the best show he'd been to all year and watching his enjoyment was enough to spark some of my own. Indie rock enthusiasm is delightful and certainly contagious.

The show's highlight was a bit of a personal triumph over drunken idiot female concert go-ers who attend shows of bands they probably wouldn't even know about if it weren't for their boyfriends. This girl sashays in front of me, blocks the view I spent most of the evening staking out, and acts like it ain't no thing. She then tries to wave her tall boyfriend in unsuccessfully, as he refused to do so due to good manners and instead watched from the side. She then turns around, asks me if I'd mind if they stand right in front of us, while bumping into me and spilling my drink without an apology. After I leaned down to pick up my cup (yes, me), I gave her my signature, non-threatening "do whatever you want, you annoy me" look as she reached for her dude. Clearly irked, my friend then gave her this "You did not just spill my friend's drink and your boyfriend is so not standing in front of us. Are you fucking kidding me?" look that proved to be much more effective. Then, her awesome boyfriend stepped in, apologized for her retardedness and took her away so we could enjoy our highly coveted, unobstructed railing view. Perhaps bringing tall boys to shows who are much more capable of dirty looks is the key to the good live experience? Either way, it was a small step for mankind, but a huge victory for short show go-ers everywhere.

April 13, 2009

Phoenix - Wolfgang Amadeus Phoenix (2009)

The fact that I sent a mass email to QuickCritters asking for dibs on this review is a testament to how awesome Phoenix's new album is. Lame album art and title aside, it's pretty much been on repeat and is tied for the #1 release for 2009 (thus far) with Harlem Shakes' Technicolor Health. It seriously is my musical equivalent to puppy dogs, ice cream, and ticker tape parades for everyone!

A couple of fun facts: They're from Versailles, France (lucky bastards), the lead singer is Sofia Coppola's life partner, they have musical affiliations with Air and Daft Punk, and did I mention they're French? Mais oui, ils sont tres chouette!

The album: It's fun, upbeat, relaxing, smooth/easy vocals, there's pretty much a song on here to fit any mood you're in. When I heard their first single "1901" (free download here), I literally couldn't calm down... or sit still. It's so vibrant and danceable, which means it's slightly dangerous for driving music since keeping hold of the 10-2 position is damn near impossible. Or maybe that's just me?

Some shared feedback: "Lizstomania" is, as a trusted music friend described it, the kind of song that makes him want to "jump over a rainbow and swim in the pot of gold on the other side," whereas I feel it'd be the perfect song to be featured in a remake of Duck Tales: The Movie (here's hoping?) during a scene where Uncle Scrooge is happily swimming in his money bin. Then, regarding the Harlem Shakes vs. Phoenix album debate, awmercy said he preferred Harlem Shakes' album on an overall basis since "some of the Phoenix songs are great, others are just okay, although it does seem to hold together as an album." I definitely concur. However, since I think BOTH are great I just can't seem to pick between the two. They played SNL the other week and sounded pretty effin fantastic live, making them #1 on my musical must-see list for the summer.

My favorites: "1901," "Rome," "Lizstomania," "Lasso," and "Fences," but the entire album deserves multiple listens. Not because it's a grower, but because you may get hooked after the first listen. I sure as hell did.